Released: February 1969
Highest UK chart position: 6
After the critical success of their 1968 debut, Music in a Doll’s House, many aficionados of British progressive rock wondered how Family could avoid repeating themselves and still sound fresh. Family, however, were hardly a static psychedelic band, as Music In a Doll’s House might have suggested: their sound was largely influenced by folk, country, and pop, all solidly rooted in the blues. The group, under the production of Glyn Johns and Family manager John Gilbert, would create a worthy second album that drew on all of their musical influences and abilities.
The album opened with “The Weaver’s Answer”, a haunting, stately song about a dying old man about to see his life in the form of tapestry. Lead singer Roger Chapman sings the lyric of remembrance with a great deal of grit and a heavy blues undercurrent throughout; the final violin passage from Ric Grech perfectly symbolizes the old man’s moment of death. On much of the rest of the album, Family blends seemingly contrasting styles within single songs; the anti-war rant “Hung Up Down” blends a madrigal melody with a guttural blues-rock bass line, while “From Past Archives” cuts suddenly from a lilting ballad melody to a hip jazz arrangement.
Charlie Whitney was enjoying the thrill of discovering new worlds on Family Entertainment with his dreamlike song “Processions,” about a little boy fantasising about his life ahead while enjoying a day at the seashore, while “Observations From a Hill” – sung by Jim King – finds magic and beauty in the most mundane scenery of Family’s hometown, Leicester.
Ric Grech stood out especially on Family Entertainment, his fast rocker “Second Generation Woman” being the exciting opener of side two. His other two songs grabbed attention as well. “How-Hi-The-Li” acerbically thumbed a nose at authority figures, while “Face In the Cloud” conjured up beautiful dreams of an ideal world. (Tellingly, all of Grech’s songs contained explicit drug references, and drug abuse would eventually lead to his premature death at 43 in 1990). The album closed with “Emotions,” an immaculately produced choral number in the manner of the Rolling Stones’s “Salt Of the Earth.”
Family’s momentum was almost derailed by the departure of Grech for Blind Faith two months after Family Entertainment’s UK release, which caused their first U.S. tour to founder, and Jim King only worsened the situation with his departure later in 1969. But the album gave their music a new direction, and remains an indisputable classic. “The Weaver’s Answer” would go on to become their signature song.
Tracklisting
All tracks written by John Whitney and Roger Chapman, except as noted.
Side One
1. “The Weaver’s Answer” 4:57
2. “Observations from a Hill” 3:11
3. “Hung Up Down” 3:13
4. “Summer ’67” (Whitney) 3:19
5. “How-Hi-the-Li” Grech 4:57
Side two
1. “Second Generation Woman” (Grech) 3:13
2. “From Past Archives” 3:22
3. “Dim” 2:31
4. “Processions” (Whitney) 2:49
5. “Face in the Cloud” (Grech) 2:53
6. “Emotions” 5:10
Personnel
Roger Chapman: vocals and percussion
- John “Charlie” Whitney: guitars, organ
- Jim King: vocals, saxophone, piano
- Ric Grech: bass, vocals, violin
- Rob Townsend: drums and percussion
- Nicky Hopkins: piano
Credits
- Producers: John Gilbert and Glyn Johns
- Engineer: Glyn Johns
- Additional arrangements: Tony Cox
- Strings: The Heavenly Strings
- Design: Alan Aldridge Ink Studios
- Photos: Rodger Phillips
Knew them in Leicester, originally as James King and the Farinas. They could hold an audience totally by their musical ability, we just watched and listened, wow. Their musical tastes changed almost weekly. Roger Chapman took over as lead singer from James King in 1965, I think. I remember Ric Grech doing a joe tex track. At the Twisted Wheel, Manchester i asked if they would Sticks and Stones, only to be told we dont really do that any more! But they did it anyway, but with Roger singing.